I could hardly choose a single line to put at the top of this–they’re almost all classics.
The great story of three men, who, after being booted out of the cushy world of academia and have to get real jobs which is a problem for some of them, “You’ve never worked in the private sector. They expect results.” So they do the only thing they can think of, they catch ghosts. Oh and destroy a lot of crap in the mean time…but they get paid well. Meanwhile a moldy Sumerian god is planning on returning and destroying the world. But, as I’m sure we all know the Ghostbusters have this covered. Honestly do I really have to summarize the plot…we’ve all seen it. We all know who to call.
Not exactly a lot of fear here, just a lot of great humor dressed up in the trappings of a horror flick. Something that has been lost in modern comedy, the understated visual gag. Egon moves to the other side of the elevator after turning on the proton pack and the comment about the unlicensed nuclear accelerator…no need to explain the punch line or even to have other characters mention it, just make the joke and move on expecting your audience to be bright enough to get it…and there are numerous examples of this. And then the dialogue is even better. I watch this movie every year and it never gets old. As I said I’m sure you’ve seen it so you know that rather than listening to me talk about the quality of the writing you should just go and watch it.
And of course on the greatest reason to love this movie, the EPA is the villain. That’s right the whole mass destruction is primarily caused because an arrogant, dickless (hey, I’m just quoting a fact listed in the movie, twice in fact), brainless, bureaucrat had to show that he had power. This movie understands that when it’s the federal government vs. small business, the federal government is on the side of the universe destroying evil. It’s a pity the bureaucrat only got covered in marshmallow and not something more painful and befitting the vicious crime of being a bureaucrat.
Of course the lasting impact of this movie can best be summed up with the following line from my favorite TV show:
“Who you gonna call? [awkward silence] God, that phrase is never gonna be usable again, is it?”–Spike